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'Marlboro' a fresh breath of bitter air The 29 very short stories in his Marlboro (newly translated and available for the second time in English) are grim, beautiful ruminations on how the familiarities of life can, in the instant a bomb drops, become unrecognizable. In Jergovic Bosnia, even the most meaningless of objects a dilapidated Volkswagen, a kitchen hotpot take on monumental significance, for they are the remains of the day. When the days are one long absence and the nights even longer, tangibility is a comfort not easily come by. In a house plant given to a man during peacetime becomes a symbol of tenacity and perseverance, even when the man must move himself (and his obstinate plant) into a dank cellar following a particularly harrowing aerial bombardment. When the cactus finally dies, tip pointing downward as if the sun was pointing under the ground, something in the man dies as well: in conversation, whenever somebody raises a topic that I find upsetting, I have a sense of this tiny red light automatically switching on inside me, not unlike the one you press to remove the background noise on a tape. And after that, I don feel anything. But when I think about that cactus, the light refuses to come on, and nothing else helps . I get sad just thinking about the way a cactus dies, like the boy in Goethe poem. It not important, mind you, except as a warning to avoid detail in life. That all. No blind hysteria or overwrought characters are to be found in this remarkable collection. One of the first realizations to come from Jim Shepard fine study of adolescent angst is a troubling if unsurprising one: The decision to open fire on a school auditorium full of one classmates is less of an impulse and more the final desperate act in a long series of schoolyard humiliations. For Edwin Hanratty and his pal Flake, the less than dynamic duo in this heartbreaking novel, becoming someone who commits an act of unthinkable vengeance is the only viable antidote to a childhood spent as nothing and nobody at all. in a group, Hanratty, an eighth grader, explains. spends their time thinking about their group. Or how they want to be in a different group . On top are the jocks, though not all jocks. If you do cross country, you might as well be on the chess team. Next to the jocks are kids they call the Buffys, because they look like they came off TV . Behind the Buffys are the school spirit types, the ones who organize the Cookie Drives and Theme Dances and Administration Appreciation Days. Behind them, the kids who play music in a band. Behind them, the other jocks . Behind them, the artsy types. Behind them, the kids that are good at something real, like math or writing. Behind them, the theater kids. Behind them, the rebels. Behind them, the druggies, Behind them, the kids nobody notices . Behind them, the geeks. Behind them, the kids from the sticks, the trailer types. Behind them, the retards and the kids with missing jaws . Behind them, us. Our group is a group of two. Told in the language of youth (characters don anything; they or like with plenty of foul language and boys will be boys name calling, X nevertheless succeeds in evoking the kind of sympathy so absent in these boys nightmarish and horribly average lives. Anything You Say Can and Will Be Used Against You HarperCollins, 272 pages, $23.95 Versatility is Laurie Lynn Drummond bag. ex cop herself, Drummond debuts with 10 short stories tracking the lives of five Baton Rouge policewomen: Katherine, Liz, Mona, Cathy and Sarah, all tough as Kevlar, all trying to retain a sense of humanity amid the most gruesome of criminal proclivities. Though several of Drummond stories might turn stomachs ( Touch, Sight, Sound, Smell, for example, details Katherine submersion into the varied realm of body smells the collection is strong and wise. left wondering how dead we really are, says one character. And like the memory of a loved one passed, these stories linger long past their last breath.
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